András Cséfalvay is mostly known for his works in visual and conceptual art, but recently he started to show promise as a musician. Well, more then promise–we were truly hit in the [heart], when we received his newest work. Opera called “Funeral the Musical” is a set of intimate bedroom recordings telling us stories about worms, love and graveyards. Delicate, yet powerful voice, covered with harpsichordy-icing and synthesizery-cherries navigates us through the story with bravery and embarassing honesty at the same time.
- Music
- Fields
- Alёna Korolёva — Agora
- Artificial Memory Trace – Reprint
- Daniel Kordík – Poznova
- Daniel Kordík / Tobiáš Potočný – INDPORT
- Izabela Dłużyk – Soundscapes of spring
- Izabela Dłużyk – Soundscapes of summer
- Jan Ryhalsky – Iron Skeletons
- Jonáš Gruska – Vzduchotechnika
- SALA – Aqua Radio
- Tomáš Šenkyřík – Holubníci
- Amen Tma – Insect Phonetics Research
- András Cséfalvay – Funeral the Musical and another tabletop opera
- Angakkut – Unshaped Unspoken
- Avsluta – fold.
- Bolka — Smutné stropy
- Cave Art – Piña Colada
- Daniel Kordík – [Sy][ria]
- Jolana Havelková & Lucie Vítková – Návrh na změnu partitury
- Jonáš Gruska – Nočné oscilácie pre jedného
- Jonáš Gruska – Site Specific Resonances II
- Jonáš Gruska – Spevy
- Mrkva / Bolka
- Robotic Folk — Volume One
- t16c – re
- Tijana Stanković – Freezer
- Tomáš Knoflíček — Vaguely Delimited Targets
- V.A. – Sensing Electromagnetics
- V.A. – Zvukolom
- Voi Doid – Atman-Brahman
- VooDooMan – Voices from Antidimension
- Zobel – Daedrahedron
- Fields
- Instruments
- LOM+you
- Space
- Rental
- Library
- Knowledge